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介绍河北清西陵的导游词范文

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介绍河北清西陵的导游词范文(通用3篇)

介绍河北清西陵的导游词范文 篇1

  清西陵是清朝帝王两大陵寝之一,位于河北省易县城西15公里处的永宁山下,离北京120多公里。周界约100公里,面积达800余平方公里。清西陵北依峰峦叠翠的永宁山,南傍蜿蜒流淌的易水河,古木参天,景态雄伟。陵区内有千余间宫殿建筑和百余座古建筑、古雕刻,气势磅礴。每座陵寝严格遵循清代皇室建陵制度,皇帝陵、皇后陵、王爷陵均采用黄色琉璃瓦盖顶,妃、公主、阿哥园寝均为绿色琉璃瓦盖顶,这些不同的建筑形制,展现出不同的景观和风格。这里有华北地区最大的古松林,数以万计的古松、古柏把这一带装点得清秀葱郁,古朴大方。清西陵北依峰峦叠翠的永宁山,南傍蜿蜒流淌的易水河,古木参天,景态雄伟。

  清西陵始建于1730年(雍正八年),历经18世纪中叶至19世纪初,余绪延至民国年间。雍正八年(公元1730年)选此为陵址。雍正的陵址本来是选在清东陵九凤朝阳山,但他认为“规模虽大而形局未全,穴中之土又带砂石,实不可用”,因而将原址废掉,命另选“万年吉地”。选陵址者奏称,易县永宁山下是“乾坤聚秀之区,阴阳汇合之所,龙穴砂水,无美不收。形势理气,诸吉咸备。”雍正皇帝览奏后十分高兴,也认为这里“山脉水法,条理详明,洵为上吉之壤”。

  自此,清各代皇帝便间隔分葬于遵化和易县东、西两大陵墓。西陵自雍正八年(公元1730年)首建泰陵,至公元1915年光绪的崇陵建成,历经186年,共建有帝陵4座,后陵3座,王公、公主、妃嫔园寝7座,埋葬着雍正、嘉庆、道光、光绪4个皇帝,9个皇后,56个妃嫔及王公、公主等共80人。 宣统皇帝溥仪于1967年去世,最初安葬在八宝山。于1995年迁葬到清西陵的华龙皇家陵园。建筑面积达5万多平方米,共有宫殿1000多间,石雕刻和石建筑100多座,构成了一个规模宏大、富丽堂皇的古建筑群。

  清西陵是全国重点文物保护单位,20__年11月,清西陵与清东陵一起,被第24届世界遗产委员会列为世界文化遗产。

  清西陵有规模宏大、体系完整的古建筑群,是一处环境幽雅、风景秀丽的游览胜地。在方圆200华里、面积800平方公里的陵区内,有华北地区最大的人工古松林。从建陵开始,清王朝就在永宁山下、易水河畔、陵寝内外,栽植了数以万计的松树,现在这里有古松1.5万株,青松幼柏20余万株,陵区内松柏葱郁,山清水秀,14座陵寝掩映在松林之中,若隐若现,俨然一幅绚丽的山水画。

  陵区内千余间宫殿建筑和百余座古建筑、古雕刻,气势磅礴。每座陵寝严格遵循清代皇室建陵制度,皇帝陵、皇后陵、王爷陵均采用黄色琉璃瓦盖顶,妃、公主、阿哥园寝均为绿色琉璃瓦盖顶,这些不同的建筑形制,展现出不同的景观和风格。

  清西陵共有14座陵寝,帝陵4座:泰陵(雍正皇帝)、昌陵(嘉庆皇帝)、慕陵(道光皇帝)、崇陵(光绪皇帝);后陵3座:泰东陵、昌西陵、慕东陵;妃陵3座,其他陵寝4座(怀王陵、公主陵[1]、阿哥陵、王爷陵等)。共葬有4个皇帝、9个皇后、56个妃嫔以及王公、公主等70多人。

介绍河北清西陵的导游词范文 篇2

  Ladies and gentlemen: hello and welcome to Qingxiling. I'm your guide. Located at the foot of Yongning mountain, Yixian County, Hebei Province, 125 kilometers away from Beijing. It is the mausoleum group of four emperors' mausoleums, three queens' mausoleums and some princesses, princesses and concubines' gardens in the Qing Dynasty. With more than 50000 square meters of mausoleum buildings, more than 1000 temples and more than 100 stone buildings and carvings, the Xiling mausoleum is one of the largest, best preserved and most complete Imperial Mausoleums of the Qing Dynasty in China. It is the most outstanding representative of mausoleum architecture in China for 20xx years. In the 8300 hectare protection area of the Western Qing mausoleum, there are four emperor mausoleums, three empress mausoleums, four Royal, Princess and elder brother's dormitories, a total of 14 mausoleums and two ancillary buildings (yongsifu and Xinggong). There are 78 people buried, including four emperors Yongzheng, Jiaqing, Daoguang and Guangxu, nine queens, 57 concubines, two princes and six elder brothers. There are more than one thousand palace buildings and more than one hundred stone buildings in the mausoleum area, whose architectural form and regulations clearly reflect the feudal social rules and regulations. Four Imperial Mausoleums and three rear mausoleums are covered with yellow glazed tiles, while concubines, princesses and princes' dormitories are covered with green glazed tiles or grey cloth tiles. These ancient buildings are surrounded by green pines and cypresses, competing for glory in the vast forest. There is also Yongning mountain with five colors of auspicious clouds, standing behind the mausoleum. The Yishui River, which traces back to the spiritual source of Bagong, flows slowly in front of the dahongmen, which makes the Qing Dynasty's western mausoleum more beautiful and grand. Among them, the largest Yongzheng mausoleum, located in the center of the mausoleum area, is the earliest and largest building in the Western mausoleum. The rest of the mausoleums are distributed in the East and West. The Shinto of the tailing mausoleum is made of three layers of huge bricks. On both sides of the Shinto are green pines and cypresses. From south to north, there are more than 40 large and small buildings. The first building is a five arch bridge entering the mausoleum area. There are three tall stone archways in the north of the bridge. The architecture of the memorial archway is solemn and beautiful with harmonious colors. The three stone squares, all in the form of five rooms, six columns and eleven floors, are built with blue and white stones, and engraved with mountains, water, flowers, grass, animals and other graphics. Their vivid forms are regarded as representative works of Xiling architectural art. The tomb of Jiaqing is called Changling. Changling and tailing are juxtaposed, with the same scale as tailing. Jiaqing was the 15th son of Emperor Qianlong. When Emperor Qianlong passed on the throne to him, he selected the site of his mausoleum one kilometer south of the tailing mausoleum. The long'en Hall of Changling is very distinctive. The ground is paved with precious yellow mottled stones. The stone slabs are also decorated with purple patterns. They are smooth and dazzling, and seem to be full of gems. The pillar is covered with gold and decorated with clouds and dragons. Daoguang mausoleum with exquisite craftsmanship is called Muling mausoleum. The mausoleum is characterized by its small scale, without Fangcheng, minglou, dabeiting, shixiangsheng and other buildings, but its engineering weight is stronger than that of the two mausoleums of Tai and Chang. The whole wall, brick to brick joints, dry grouting, wall flush solid. The building technology of longen hall is exquisite. The main hall is made of Phoebe and is not decorated with oil paint. The original color of logs is maintained. When the door is opened, the aroma of Phoebe comes. There are dragons in each small square on the ceiling, and purlin Fang, queti, also carved with upstream dragons and flat dragons. These dragons open their mouths and puff their clouds. Chongling is the mausoleum of Guangxu, 5 kilometers east of the tailing mausoleum. It is the last existing mausoleum in China. The whole mausoleum area has luxuriant trees and pleasant scenery. The ancient buildings in the imperial palace where the emperor lived can accommodate tourists. At the end of the Qing Dynasty, Chen Zengrong, commander-in-chief of Taining Town, loved the beautiful mountains and rivers in his spare time, and determined eight sceneries of the Western mausoleum, which were "Jingguan Ziqi", "resisting horses and rushing waves", "clouds and emeralds", "Qifeng sunset", "Emei evening bell", "Fushan holding the sun", "Huagai Yanlan" and "Yishui cold current" . It is because of these pleasant natural scenery, which set off the auspicious land of "ten thousand years of dragon and tiger, every night of ghosts and gods", that Yongzheng, the third generation emperor of the Qing Dynasty, left his father and ancestors and opened the first Xiling in Yizhou, in order to make the Qing Dynasty more prosperous. On March 2, 1737, Emperor Qianlong Fengan his father in the underground palace of tailing. Later, Emperor Qianlong came up with a way to make the best of both sides in order to make the eastern and Western mausoleums last forever. Later emperors were buried in the eastern and Western mausoleums of the Qing Dynasty in the way of "Zhaomu order and alternate generations". Therefore, he first built his own Yu mausoleum in shengshuiyu, which is within the boundary of the eastern Mausoleum of the Qing Dynasty. He was accompanied by his grandfather Kangxi, and his son Jiaqing built a Chang mausoleum beside the Tai mausoleum to accompany his grandfather Yongzheng. According to the system of Zhaomu, Daoguang's mausoleum was originally built in baohuayu of the eastern mausoleum. After seven years of mausoleum construction and burial in empress Xiaomu, he found that the underground palace was seeping continuously. Daoguang had to choose a high and flat place in the Western mausoleum to demolish the mausoleum of baohuayu and build a Mausoleum in the Western mausoleum. After the emperors of Xianfeng and Tongzhi, Guangxu also built the tomb in Xiling. If it is said that the mountains and rivers in the Western mausoleum are all made by nature, then after 185 years from the construction of the tailing mausoleum to the completion of Chongling mausoleum, the ingenious combination of human landscape and natural landscape has been formed, and the cosmology of "making man and nature in one" has been fully reflected in the mausoleum architecture. As sun dinglie said in Yongning mountain retinue Ji Cheng, "the mountains are towering and vigorous from Taihang. The mountains are lofty and steep. They arch far out. The Lingyan is green and the environment is clean. There are countless hills down there. It is like a finger in the hand. There is a flat development between the two hills. The tombs are in the place where the petals of flowers and the bamboo shoots are protected layer by layer." the dragon is flat and the Phoenix is bright. It has a long history The front and back arches are like "jade shoots in Jincheng". Well, dear tourists, the Qingxiling is here for you. Thank you for your support!

介绍河北清西陵的导游词范文 篇3

  女士们、先生们:

  大家好,欢送您来清西陵观光旅行,我是向导员,旅途中你有什么看法和请求只管提出来,我愿竭诚为您服务,咱们今天的日程是这样为大家支配的:首先参观泰陵,中午到行宫就餐,下战书参观崇陵。

  泰 陵

  清西陵是中国最后一个封建王朝—清朝的陵墓建筑群之一,位于北京西南125公里处的河北省易县境内。在800平方公里的陵区范畴内,建有帝陵、后陵、妃园寝、王爷、公主、阿哥园寝等十四座,还有行宫、永福寺两处从属建筑及衙署营房遗迹,种类齐全、布局公道。陵区内保存有古松一万五千余株,这些树岂但丑化了西陵,而且可以防止外界风沙的侵袭和热气、寒流的影响,为西陵营造了一个特殊的小气象,使陵寝处于一个独破完全的天然环境之中,使这里的建筑,得以很好地保留。清西陵的历史、文明艺术价值极高,在20xx年11月30日被结合国教科文组织列入了《世界遗产名录》,在20xx年1月11日被国家游览局评为首批4A景区。

  清西陵中,雍正皇帝的泰陵建筑最早、范围最大,堪称首陵。这是一处清朝盛世时期遗存下来的古建群体,从它的选址、计划,布局都反应出当时国度的富强以及政局的稳固,在建筑用料、工程技巧,传统工艺等方面也都十分讲究。

  当代建筑学家讲,泰陵是一处典范的风水宝地的模式。站在大红门前五孔桥上环视四处,能够看到,北面有绵延起伏的永宁山,为靠山,酷似屏障。永宁山是太行山的余脉,与东陵的昌瑞山属于统一脉系,此山从山西过来,如巨龙横卧中原;大红门两侧的东、西华盖山为自然门户;九龙、九凤山为环护左、右的低岭;南面状态端庄的元宝山,为泰陵的朝山;在旁边辽阔的平原上座落着泰陵辉宏绚丽,错落有致的修建群。易水河从五孔桥下贱过,构成山映于水,水扶于山的格式。“陵制与山水相当,天人合一”的宇宙观在这里充足体现出来,同时又展现出古代建筑学家鬼斧神工的高明艺术。正如美国景观建筑学威望西蒙德先生所说的:“埃及人是在他本人预约的一条不能转变的需要途径上始终走到底,中国人在他的世界里单独彷徨时有友爱的大做作来领导他拜见上天跟祖坟。所以不任何一个处所,景致会真正成为修筑艺术资料。”

  泰陵的建筑布局也无比考究,完整按照帝王生前所居宫廷格局,按礼制的须要而规划设计。以神道为中轴线贯串南北,主体建筑部署在中轴线上,一律座北朝南;地宫座落在中轴线的末端,居中当阳,其余建筑沿中轴线次序排开。这些建筑都以正确的标准,合适的体量,斑斓的颜色,机动奇妙的伎俩进行配制和空间组合,使陵寝的留念性、礼制性主题井井有条地开展并一直深入。

  石牌坊是泰陵最具特点的建筑之一,泰陵设三架,无论是从数目仍是排列情势上都独具一格。一架面南、两各货色,与北面的大红门造成一个宽阔的四合院。三架牌坊的大小、规制完全一样,均由66块大小石料,仿木卯榫联合而成,每架牌坊高12.75米,宽31.85米,为五间六柱十一楼造型,全体用巨大的青白石打造,各个部位还雕有丰盛的纹饰,画面布局合理,造型活泼,雕工细腻,小巧剔透,活力盎然。这在中国历代帝王陵墓中尚属孤品。成为清西陵列入世界文化遗产最存在价值的建筑之一。

  全部陵区重视对门的处置,门既可作为出入之用,也可截断空间界面。大红门是进入陵区的总门户,单檐庑殿顶,看上去纯朴、凝重、敦实、慎重,视若腾龙偃卧,镇守陵前。两侧有42华里的风水墙,逶迤延展,包护陵区,愈发显出大红门的庄严派头。

  具服殿独成一院,是供后辈天子、后妃来谒陵祭祖时调换衣服的场合,沿续明代拂座殿而建,殿内有净房,相似于当初的洗手间,内有绣花墩马桶。而今为了便利游人,在净房的旁边建有一座水冲厕所。

  圣德神功碑楼是记述皇帝生平功德的重要建筑之一,俗称大碑楼,建成于1739年,破费白银十三万一千五百两。大碑楼占地5.54亩,高26.05米,四周辟门,为重檐九脊歇山顶,稳中有变,华丽典雅。它座落在方形广场的正中,四角各有一根高12米的华表相衬,使碑楼显得更加肃穆、肃穆、宏伟、壮观。四根华表的柱身均用整块石料雕成,呈圆柱形,直径1.5米,周身浮雕着朵朵云团,一条巨龙于云朵间环绕柱身扶摇而上,带有跃然纸上的动态感。华表也叫擎天柱,又称墓表。来源于远古时期,初为木质,为纳谏而设,又叫毁谤木。在陵墓神道上设华表,在西汉时代就很风行,是木质华表,石刻华表在东汉时风行。华表装潢着象征皇权的云龙图纹,作为皇家建筑的特别标记,烘托出主体建筑的高大,使其更加雄伟壮观。

  碑楼内,耸立着两统伟大的石碑,每统碑重56.55吨,碑身阳面用满汉两种文字镌刻着雍正皇帝生前的劳苦功高,大概五千字,这是一部给雍正树碑立传的主要材料。

  绕过碑楼,是一座七孔石拱桥,这是清西陵四十九座桥梁中最长的,长107米,宽21米。(栏板上是二十四节气望柱头,又称火焰望柱头。柱头上有二十四条阴刻线,代表二十四节气。由于有河才有桥,而河位于田野之中,大地与原野不可分,与二十四节气有必定的关联,耕种、灌溉都离不开二十四节气。)像这样宏大而完善的石桥在中国事未几见的。它对建造物的布局组合起着衔接作用,使组合群的档次显明,过渡天然,紧凑而不疏松,同时也显示出一种庄严正穆的氛围。


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